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<channel>
	<title>Matt Sandahl composer</title>
	<link>https://mattsandahl.com</link>
	<description>Matt Sandahl composer</description>
	<pubDate>Sun, 31 May 2020 01:48:54 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://mattsandahl.com/Home</link>

		<pubDate>Sat, 30 May 2020 18:24:05 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

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Matt Sandahl

composer
	bio -&#38;nbsp;︎
&#60;img width="74" height="74" width_o="74" height_o="74" data-src="https://freight.cargo.site/t/original/i/b99506360453498edf3490018f2d851d4430b4f920e19e1c9e9e7afe728555ed/Asset-3.png" data-mid="78655536" border="0" data-scale="100" src="https://freight.cargo.site/w/74/i/b99506360453498edf3490018f2d851d4430b4f920e19e1c9e9e7afe728555ed/Asset-3.png" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="74" height="74" width_o="74" height_o="74" data-src="https://freight.cargo.site/t/original/i/1d683229216ef2557e496e8d547ec552287dfc188abebedfc044c7bb6c241d05/Asset-6.png" data-mid="78655643" border="0" data-scale="100" src="https://freight.cargo.site/w/74/i/1d683229216ef2557e496e8d547ec552287dfc188abebedfc044c7bb6c241d05/Asset-6.png" /&#62;
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	<item>
		<title>Bio</title>
				
		<link>https://mattsandahl.com/Bio</link>

		<pubDate>Sat, 30 May 2020 18:25:42 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

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		<description>Matt Sandahl - Composer

	&#60;img width="512" height="554" width_o="512" height_o="554" data-src="https://freight.cargo.site/t/original/i/c48eea07dd8eb1d18a7c210f942bc9d53661b9ccdd4e8405a3cb449ac5e96d96/Screen-Shot-2020-05-30-at-11.16.08-PM.png" data-mid="73015256" border="0" data-scale="100" src="https://freight.cargo.site/w/512/i/c48eea07dd8eb1d18a7c210f942bc9d53661b9ccdd4e8405a3cb449ac5e96d96/Screen-Shot-2020-05-30-at-11.16.08-PM.png" /&#62;
	
	Matt Sandahl (b. 1991) is a Brooklyn-based composer, scholar, and educator. He received his masters at UC Berkeley, and his B.M. at Purchase Conservatory at SUNY, where he studied under Suzanne Farrin, Du Yun, and Huang Ruo. He is currently a Graduate Fellow at CUNY Graduate Center, where he studied with Jay Eckardt and Suzanne Farrin. He works as a teaching fellow and adjunct lecturer at Brooklyn College. Collaborators have included Longleash trio, Mivos Quartet, Kyle Bruckman, Contemporaneous, Eco Ensemble, Dana Saul, Maria Hadge, Jacob Sachs Mishalanie, and others.Matt’s work is animated by the fragmentary, the intimate, the surreal, and the nostalgic. He revels in ambiguous moods, absurd humor, and difficult-to-define emotions. His enduring obsessions include the expressionist Webern, post-war Euromodernist cinema, alternative comedy, and neo-pragmatist philosophy.&#38;nbsp;
see matt’s c.v.
visit matt’s friends

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	<item>
		<title>Featured Concert 1</title>
				
		<link>https://mattsandahl.com/Featured-Concert-1</link>

		<pubDate>Sat, 30 May 2020 18:27:51 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

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		<description>Concert Music
Featured:

	Nine Fragments (2017-18)
Mivos - score - info
Matt Sandahl · Nine Fragments For String Quartet (2017 - 2018) 
	
	for piano trio (2017)
Longleash - score - info



	
 
	
	Trachte geliebt und nicht-bewundert
zu werden (2018-19)
Pala Garcia&#38;nbsp;- info

	
	
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		<title>Featured Concert 2</title>
				
		<link>https://mattsandahl.com/Featured-Concert-2</link>

		<pubDate>Sat, 30 May 2020 18:28:05 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

		<guid isPermaLink="true">https://mattsandahl.com/Featured-Concert-2</guid>

		<description>

	Nine Movements (2015)
Eco Ensemble - score - info

	Nisi Masa (2012)
Purchase New Music - score - info

	

	
	
&#60;img width="154" height="82" width_o="154" height_o="82" data-src="https://freight.cargo.site/t/original/i/fdfcd2e29b154f05ba95c5c0204a6397de3862ada42263be3cfbfce94ac75ebd/Asset-9.png" data-mid="73076747" border="0"  src="https://freight.cargo.site/w/154/i/fdfcd2e29b154f05ba95c5c0204a6397de3862ada42263be3cfbfce94ac75ebd/Asset-9.png" /&#62;

	
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		<title>Compositions Main List</title>
				
		<link>https://mattsandahl.com/Compositions-Main-List</link>

		<pubDate>Sun, 31 May 2020 01:48:54 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

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		<description>measure and melt (2020)for solo cellowritten for and performed by Maria Hadge
more coming soon
Prince Danila Govorila (2019-2020)
opera fragment in five scenes
more coming soon
	
Trachte geliebt und nicht-bewundert zu werden (2018-19)for solo violin and tape cassette player
written for and performed by Pala Garcia
info




	



	Seven Regressions (2018)for ensemble
premiered by Ecce Ensemble on July 7, 2018 Etchings Festival, Auvillar, Francescore - info


	


	Nine Fragments (2017-18)
for string quartet
premiered by MivosElebash Recital HallThe Graduate Center at CUNYMarch 14, 2018
score - info

	



	for piano trio (2017)
premiered by LongleashHunter college, 4/5/17

score - info


	



	It stays how it is (2016-17)
for ensemble
premiered by Contemporaneous
Elebash Recital Hall
CUNY Graduate Center
March 7th, 2007
score - info



	



	Nine Movements (2015)
for pierrot ensemble
premiered by Eco EnsembleHertz Hall, Berkeley CA
12/14/15
score - info

	



	Blind Window (2014)
for solo oboe
written for and premiered by Kyle Bruckmann
CNMAT, Berkeley CA
 info

	



	Three Pieces (2014)
for clarinet quartet
written for HighScore Festival
Summer 2014
score - info

	



	String Quartet (2012)

written for SUNY Purchase, Senior Recital, 2012
recording performed by: 
Alex Fortes (violin) Katie Hyun (violin) 
DJ Cheek (viola) Michael Nicholas (cello)SUNY Purchase Composer's Portrait Concert5/3/15 the Stone NYC
score - info

	



	Nisi Misa (2011)
for ensemble
Purchase New Music Ensemble, 2012
score - info

	
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	<item>
		<title>Prince Danila Govorilla (2019-2020)</title>
				
		<link>https://mattsandahl.com/Prince-Danila-Govorilla-2019-2020</link>

		<pubDate>Sat, 30 May 2020 18:28:25 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

		<guid isPermaLink="true">https://mattsandahl.com/Prince-Danila-Govorilla-2019-2020</guid>

		<description>Prince Danila Govorila (2019-2020)
	
	

opera fragment in five scenes
more coming soon-&#38;gt;
</description>
		
	</item>
		
		
	<item>
		<title>Trachte geliebt und nicht-bewundert zu werden</title>
				
		<link>https://mattsandahl.com/Trachte-geliebt-und-nicht-bewundert-zu-werden</link>

		<pubDate>Sat, 30 May 2020 18:28:41 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

		<guid isPermaLink="true">https://mattsandahl.com/Trachte-geliebt-und-nicht-bewundert-zu-werden</guid>

		<description>

	Trachte geliebt und nicht-bewundert zu werden (2018-19)for solo violin and tape cassette playerwritten for and performed by Pala Garcia



	
&#38;lt;- -&#38;gt;
</description>
		
	</item>
		
		
	<item>
		<title>Seven Regressions (2018)</title>
				
		<link>https://mattsandahl.com/Seven-Regressions-2018</link>

		<pubDate>Sat, 30 May 2020 18:28:54 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

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		<description>

	Seven Regressions (2018)for ensemble
premiered by Ecce Ensemble on July 7, 2018 Etchings Festival, Auvillar, Francescore&#38;nbsp;


	
&#38;lt;- -&#38;gt;
</description>
		
	</item>
		
		
	<item>
		<title>Nine Fragments (2017-18)</title>
				
		<link>https://mattsandahl.com/Nine-Fragments-2017-18</link>

		<pubDate>Sat, 30 May 2020 18:29:09 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

		<guid isPermaLink="true">https://mattsandahl.com/Nine-Fragments-2017-18</guid>

		<description>

	Nine Fragments (2017-18)
for string quartet
premiered by MivosElebash Recital HallThe Graduate Center at CUNYMarch 14, 2018score 

	
&#38;lt;- -&#38;gt;
</description>
		
	</item>
		
		
	<item>
		<title>for piano trio (2017)</title>
				
		<link>https://mattsandahl.com/for-piano-trio-2017</link>

		<pubDate>Sat, 30 May 2020 18:29:35 +0000</pubDate>

		<dc:creator>Matt Sandahl composer</dc:creator>

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		<description>
for piano trio (2017)
premiered by LongleashHunter college, 4/5/1score - soundcloud





















Program note:




	Metronomic
time usually functions as an anchor, a means of orientation. Here, metronomic
time is made strange. In that sense this piece takes its cues from Ustvolskaya,
a composer who is able to find the otherworldly within dry textures and regular
pulsation. None of Ustvolskaya’s tormented spirituality is present here,
however. Instead, the piece offers a child-like investigation into the basic
elements of music, inviting the listener to hear familiar sounds in a surreal
new light, as if for the first time.



 
The
piece is animated by a remark from Ludwig Wittgenstein’s personal notebooks: “Don’t,for heaven’s sake be afraid of
speaking nonsense. But you must pay attention to your nonsense.”
	








&#38;lt;- -&#38;gt;
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